A Renowned Writer Reflects on What It Means to Have a Voice

Photograph by Louis Gakumba

A Renowned Writer Reflects on What It Means to Have a Voice

Terry Tempest Williams talks about speaking out for conservation.

By Susan Cosier
Published: 11/15/2012

An award-winning writer of 14 books, Terry Tempest Williams is known for her personal stories that are beautifully woven together with reflections on the environment. In her new book, When Women Were Birds, Williams uses her experiences to describe why we should speak out for what's important. Audubon caught up with her to discuss her ardor for wildness and writing.


How did you decide to use writing to communicate conservation's importance and your passion for the environment?

I think each of us within the conservation movement has a desire to make a difference, to share our love of the land with others, and to try to make a difference in the world, especially now when so much is at stake and at risk and in pain. My voice is, I think, most powerfully rendered on the page. Each of us has to assess where our gifts lie and then share them--whether it's teaching, writing, speaking, cooking, or traveling--and take those gifts that our ours, each in our own way, each in our own time, and share them on behalf of the collective good.

Was writing always something you felt strongly about when it came to your ability to use your voice to share your message? Was it always that way for you?

I've always loved stories, whether it's as a writer or as a naturalist--stories bypass rhetoric and pierce our hearts. I've always had a passion for following that strand that leads us to patterns, to the place where we see life as interconnected and interrelated, whether it's on the page or in the world, I'm most interested in the stories we tell that evoke a sense of place, that remind us what we are connected to and why and how.

Why do we need that reminder at this point?

We're living in a time of great fragmentation. And fragmentation is an enemy to wholeness. The ecological world, the natural world, all that is wild, is predicated on wholeness. A kin to fragmentation is destruction, and a kin to destruction is disengagement. And if we're disengaged, then who cares? So I think, as writers, as naturalists, as lovers of wildness, our task is to create, as Johanna Macy says, "the work that reconnects."

Birds are a theme in your work. Why do you choose them to be a part of your stories?

Birds are wherever we are. They are our companions. Birds are mediators between heaven and earth. My grandmother Mimi gave me my first bird book when I was five years old, Roger Tory Peterson's Field Guide to Western Birds. I still hold that bird book as sacred text. I would dream about those birds long before I ever saw them on the shores of Great Salt Lake. And when I saw them for the first time--avocets, stilts, white-faced ibises, cinnamon teals, and willets--I recognized them as family. Long-billed curlews still forage on the grasslands of Antelope Island, and every year when they return they are my winged hope.

Hope for what?

Hope that the world will be healthy enough to support the return of long-billed curlews; hope that we will always be mindful that we are not alone, that we share this planet with other species and we have obligations and responsibilities to them in the name of the larger community, both human and wild. Birds are tangible evidence of where we are in time and space. I mean, they're completely intertwined with who we are as human beings. What I mean by this is that bird song has influenced composers such as Messian; birds have influenced painters from Miro to the representation of John James Audubon; birds have graced the poems and novels of our greatest writers from Emily Dickinson to Jonathan Franzen.

Birds are both a physical presence and metaphor. When I thought about the title, When Women Were Birds, what that meant to me was both a retrieval of our voices as women and a remembering of what it means to speak. We know that in the avian world it is largely the male birds that sing, but what we know through research is that the females know the songs. They just choose to remain silent. What might that mean metaphorically if we as women begin remembering, singing those songs, and refusing to be silent? Birds, birdsong represent that larger community that includes all life forms: plants, animals, rocks, rivers, birds, and human beings. We do not live in isolation. Birds remind us of this in their invocations and benedictions at dawn and dusk. I can mark turning points in my life by the birds I have seen at that particular moment, be it a screech owl at my grandmother's death or a white-crowned sparrow bathing in a rainstorm after a long drought in the desert. 

It can be easy to forget that they're everywhere.

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Susan Cosier

Susan Cosier is former senior editor at Audubon magazine. Follow her on Twitter @susancosier.

Type: Author | From: Audubon Magazine

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